Church street gay bars

Follow Us:. Related Tags City Building. Mandy Goodhandy opened a bar down at Richmond, but for the most part, the gay bit of Church Street is where its been for as long as most of us can remember.

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At the top it starts around Isabella, where you're greeted by Java Jive 's pink sign on the right, and a big banner that says "There's no place like home" gay the left, courtesy of Robin Wood Managementwho rent out the apartments at It ends at the site of many whimpers and bangs over the decades, The Barn and The Stables, the club and bar, respectively, where thousands of men have come and gone over the years.

But as barriers have fallen and battles have been won at a rate few would have expected, the role of Church Street, you might even say its identity, has been changing, never more so than in the last few years. Traditionally, businesses on the Church Street strip have fallen into three categories: those that are born gay, those that achieve gayness, and those that have bar thrust upon them.

In the beginning, they were almost all of the bar sort, business that happened to be on Church Street when it started turning gay. Dudley Hardware at is a good example of the breed. The utility businesses, like Novak's Drug Store, the dry cleaners and the old Laundromat just above Wellesley, where the new Pizza Nova expansion is now, all fall into this category.

Then there was the much less common second category, the businesses that were not inherently gay, but became touchstones and unofficial community centres. The best example of this was This Ain't the Rosedale Library gay, a small bookstore set up by two young American men, Dan Bazuin and Charlie Huisken, who came up during the draft dodging years.

It wasn't a gay bookstore and Bazuin and Huisken weren't gay. Whenever Xtra wanted to take the pulse of the community, they'd send a reporter across the street to the red tiled steps in front of the cafe and ask whoever was sitting there. Good for cruising, schmoozing, sitting and reading or as an understood meeting place before cell phones let us all make our plans on the fly, The Steps, as they became known -- and made more famous by the Kids in the Hall -- were a hour cross-section of Church Street's communities and was perhaps the beginning of the sort of social density still found on Church Street sidewalks.

But it's the first category that's been the real bellwether. The bars were first -- in addition to the Barn and Stables, there was Woody's and Sailors, Tango and Crews, BarSlack Alice now Slack's and Statler's piano and bingo bar -- and then Xtra upstairs atbut starting in the s, others started sprouting.

Out on the Street is the poster child, three-floors atselling lube, greeting cards and, most conspicuously, clever t-shirts that in the days of ACT UP and Queer Nation were also powerful political tools whenever they were worn off Church. Most of these businesses opened during what might be called the age of gay expansionism.

It was the same era during which the Pride celebrations became enormous, and the ultimately successful fights for adoption, marriage and the rest were being fought. It looked, at the church, like an ever-upwards spiralling trend. We are DINKshear us roar. But as popular and political culture caught up with Church, its own cultural difference diminished, and after one last great gay push, when Priape expanded and Steamworks moved onto the strip church the mids, the growth, and it's been considerable, with rents sky-rocketing, has been much more mainstream, much of it built on the ashes of the old Category 1 businesses.

The went street, and then the Second Cup imploded after a particularly stupid decision to actively discourage people from gathering on its steps. Ma Zone moved, as did This Ain't the Rosedale Library and last year, Zelda's, the sprawling drag queen-themed restaurant, downsized over to Yonge. The businesses moving onto the strip seem to be making their business decisions less on the strength of the strip's identity than on its centrality and increasing condo-born density and constant pedestrian presence.

Instead of thethere's the popular Churchmouse and Firkin street the street, a first category business replaced by a second category chain pub, gay-friendly rather than gay, and even that more by nurture than nature. The banks never changed their posters, and when the Flight Centre opened up a few years ago, it didn't feel the need to either.